80s电影网

【www.zhuodaoren.com--唐诗三百首】

80s电影网(共10篇)

80s电影网（一）：

I like these old movies,specially in the 70s-80s,I did not know why I did think that time the movie always has some special feelings.【80s电影网】

80s电影网（二）：

没办法帮到你了,在国外的网站上找了点资料,里面有影片介绍,看看你能否用上.
The tale of pure young love set during the Cultural Revolution is laid back and lushly shot,with any sexual passion or political overtones exiled to the narrative margins.Even though the storyline closely resembles "80s Korean love tragedies,the film is not unabashedly romantic.There"s timorousness in the lovers" innocence and repression in their modesty,which signals a throwback to the more conservative characterization and film grammar of pre-5th-generation directors.
An older age group,especially if they like Zhang"s "The Road Home," will enjoy the wholesomeness of "Hawthorn" as much as visiting an organic farm.Japan would be the most receptive market.For a youth film,it is so stuck in Zhang"s arrested nostalgia for his own salad days,that contemporary Chinese youngsters probably won"t connect to it.The film was the opening-night selection of Korea"s Pusan International Film Festival.
Adapted from a true story,novelized by author Aimi,"Hawthorn" is typical of China in the "70s.Jingqiu (Zhou Dongyu),who is in her last year of high school,is "sent down" to Xiping Village to learn from the peasants and to conduct research for the school curriculum.She gets to know another "zhiqing" (young city-born intellectual),Sun Jianxing,who"s in the geological unit.Sun takes an instant liking to Jingqiu and courts her with little gifts and frequent visits.After Jingqiu returns to the city,she and Sun begin to date secretly.But because her father is in a re-education camp for being a "Rightist," she is under tremendous pressure to be on best behavior during her probation as a teacher.
The couple"s pact to see the blossoming of a hawthorn tree (the landmark of Xiping Village) becomes a symbol of their longing and loyalty.The film"s promotion tagline is "the cleanest romance in history." Indeed,Zhang"s touch is rarely so delicate as in describing the pre-pubescent-looking Jingqiu"s perplexity and embarrassment toward Sun"s advances,as well as her naiveté (she thinks sharing a bed is enough to cause pregnancy).In fact,a deep sexual undercurrent ripples under their blushing complexions -- when she frolics with him in the pond,wearing the red swimsuit he gave her,when he bandages her feet,or when they lie down together in the hospital bed (his hand goes straight to where it counts).That is what lends the film its beauty.
Zhou,who is a 17-year-old high school student plucked from thousands of teenage hopefuls,personifies the film -- fresh as cut grass,untainted by professional training.She exudes serene calm even as the melodrama intensifies.The film unfolds mostly from a feminine perspective.As a result,Sun"s character is rendered at a remove,and he is too perfect to be more than a cipher.
Almost religious devotion to objects prevails,with a lightbulb or a foot basin acquiring symbolic significance as love tokens.The meticulous evocation of period detail reflects the film"s elegiac attitude to ephemera.What it mourns most is not the transience of youth or of love,but the transience of happiness,especially when its harmless pursuit is systematically obstructed by collective ideology.Perhaps that is why it ends with such an aching sense of loss.
The narrative structure is strictly linear,organized by old-fashioned intertitles of quotations from Aimi"s novel,thus giving the film a fusty,literary feel.Production quality is top-drawer,especially the lighting,which bestows radiance on every inch of Zhou"s translucent young skin.

80s电影网（三）：

While adapted from a true story,what this movie shows us is certainly not something unique.More likely,there would have been countless such stories (consider the population of China) in the post-Cultural-Revolution era of the 70s,albeit perhaps with variations in details.Billed as "the cleanest romance in history","Hawthorn" depicts how two "zhiqings" (young city-born "intellectuals") meet in a customary "sent down" (temporary deployment by school and government to the village to learn from peasants).The romance that budded in the idyllic setting continues back in the city.One obstacle is the girl"s "rightist" background which means that she must be particularly careful to avoid being expelled from school (and subsequent teaching career) on any smallest excuse.With this the young lovers can cope,as they can afford to wait.But then,not unlike in some of the contrived and formulaic Korean romances in the 80s,terminal illness sets in.This is basically the simply plot.
This movie stands out in its refreshingly simple narration,with sequences preceded by quotations from the original book in a fashion similar to the silent movies.The quotations however give you the sense of actually reading the book.It is moving in the most natural way,without any of the sappy tear-jerking devises that swarm the Korean romances.Cinematography is almost mesmerising.Zhou Dongyu,the 17-year old girl who won the part over thousands of contestants,is without question absolutely deserving – fresh,intelligent and innocent both,and unspoilt by professional training.Shawn Dou is also good,but his character is less developed – pure perfection to the extent of being almost angelic.

80s电影网（四）：

一尾特立独行的鱼:20岁觉得漂亮眞好,30岁觉得年轻眞好,40岁觉得当官真好,50岁觉得有钱真好,60岁觉得悠闲真好,70岁觉得没病真好,80岁觉得活着真好
一次不能说明问题,而经常的行为说明了已养成了不良习惯,“习惯成自然,习惯优秀才是真正的优秀”,真正的优秀不是有多少经验,而是可塑性是否很强,只要清空自己的偏见、傲慢、自满、暴躁、不思进取、
多自学,做笔记,多推导,列提纲,画框架方块图,构建学科知识体系,学而思,总结经验、技巧,做习题后归纳、反思,但科普、哲学,历史,拓宽视野,
电视：关注科技、法律法规、新闻、金融、生产生活、
借鉴成功人士、模仿演员的表演、语句、成熟的表现,学会换位思考,影视是矛盾集中于时空中,化解或解决的经验
电影：欧洲美国的励志、搞笑、科幻、领略高效、智慧的西方文化,鼓励自己成才成功
优秀网站：优酷youku,pptv,80s,暴风
资源：
（1）教育：欧美课程,领略美式教学风格——高效、风趣幽默、互动、旁征博引；
（2）人文社会：了解并理解社会文化——兼收并蓄,集思广益,统筹兼顾,融合集成；
（3）科学技术：
（4）电影：类型（作用）——科幻（想象力与创新力）、励志（永不服输与放弃、屈服）、
悬疑（从环环相扣、扑朔迷离中抽丝剥茧,探寻层层悬疑,变得聪明伶俐）、
外国大学课程,纪录片,自然、社会、宇宙、科技
要博学多识,博闻强识,多才多艺.干脆利索,千里之行始于足下,当机立断,在无聊发呆中蹉跎岁月,低效博览群书,集腋成裘,聚沙成塔.蜜蜂采蜜,
教学相长,不能孤立分割,整体、见多识广、旁征博引有效
统筹兼顾
读书,博学多识,博闻强志,风趣幽默,博览群书,丰富渊博,
旁枝末节,开枝散叶,
力压群雄,兼收并蓄,胜利的天平向形势发生逆转,大跌眼镜,形式
自学与从学相结合,祸福相倚
课内与课外相结合,
文理相结合,作用不同,如同父爱母爱缺一不可,
学思相结合,
整体时间与零碎时间相结合,时间银行的整体有效规划,统筹兼顾.整体时间用来干需要长时间才能完成的大事情,在吃饭、睡前、课间、走路,等充分利用而零碎时间做小不起眼的零活,如记单词、背名言警句、背小诗、写随笔、写日记
文武相结合,“一张一弛,文武之道”,
科学（自然科学、人文科学）哲学相结合,
艺术与数学相结合,
函数f（x）=1+x-sinx在（0,2派）上是（） A：增函数 B：减函数 C：在（0,派）上增,在（派,2派）...
已知函数f(x)=ax+lnx(a属于R）
检举|14 分钟前Max是只狗_|来自手机知道|分类：数学| 浏览20次
（1）若a=-1,求函数f(x)的极值
（2）求函数f(x)的单调区间
f"(x)=a+1/x
(1)f"(x)=1/x-1
当0

80s电影网（五）：

1. (150+114+150)/12=34.5m/s
2. 36km/h=10m/s
10m/s *200s=2000m
2000m /80s=25m/s
3. 137km/1.5h=61km/h=17m/s
4. 1500m/s*1.6s=2400m
2400m/2=1200m
5. (310+600+310)/13=71s

80s电影网（六）：

My Blueberry Nights(2007)
Directed by Wong Kar Wai
Produced by Wong Kar Wai
Written by Wong Kar Wai
story & screenplay:Lawrence Block screenplay
Starring:
Norah Jones
Jude Law
Rachel Weisz
Natalie Portman
David Strathairn
Music by Shigeru Umebayashi
Cinematography Darius Khondji
Distributed by Metro-Goldwyn-Mayer(MGM) (theatrical)
The Weinstein Company (all media)
Release date(s) 2008
Running time 111 min
Language English
Budget $10,000,000
Preceded by Eros
My Blueberry Nights is a 2007 film directed by Wong Kar Wai,starring Norah Jones and Jude Law.It also features Rachel Weisz,Natalie Portman and David Strathairn.The director describes it as "a story of a woman who takes the long route instead of the short one to meet up with the man she loves." It is Wong"s first film in English.
My Blueberry Nights was the opening film for the 2007 Cannes Film Festival on May 16,2007.
Plot
A young woman (Jones) takes a soul-searching journey across the United States to resolve her questions about love while encountering a series of offbeat characters along the way.The film is loosely based on an earlier short film followed by the character Jones portrays as she works in several restaurant settings and learns of the trials and tribulations of true love.
Production
Singer Norah Jones was the only choice for the leading role despite her lack of prior acting experience.Chan Marshall also makes her acting debut in the film.
Lawrence Block wrote the screenplay for the film.Otto Penzler of The New York Sun stated that
"Block has stepped a bit outside the mystery world to write a movie for Wong Kar-Wai,the first Chinese to win the Best Director Award at the Cannes Film Festival.My Blueberry Nights is a romantic road film,with a young woman making a soul-searching trip across America and encountering a series of charming and bizarre characters.Norah Jones stars in her first motion picture,which is chock-full of today"s A-list of good-looking actors and actresses,including Jude Law,Rachel Weisz and Natalie Portman.Since Mr.Block no longer writes two or three crime novels a year,as he did in the 1970s and "80s,this charming movie will have to hold his fans for a while.It will be released late summer or early fall...."[2]
The film was shot in the United States,including locations in Los Angeles,California and McGill,Ely and Caliente,Nevada; in Caliente at the Brandin" Iron [3] restaurant.It was also largely filmed at the Palacinka Cafe [4] in SoHo,New York City.[5] Some scenes were shot at the restaurant The Arcade [6] and the Bar Ernestine and Hazel"s [7] in Memphis.[8][9]
Soundtrack
"..The soundtrack disc,now official set for a February 5 release on Blue Note,features tracks by Jones,Cat Power,Ry Cooder (who composed the film"s score),Oscar-winning composer Gustavo Santaolalla,Otis Redding,Cassandra Wilson and Amos Lee..."
My Blueberry Night soundtrack tracklist:
01."The Story" – Norah Jones
02."Living Proof"- Cat Power
03."Eli Nevada" – Ry Cooder
04."Try a Little Tenderness" – Otis Redding
05."Looking Back" – Ruth Brown
06."Long Ride" – Ry Cooder
07."Eyes on the Prize" – Mavis Staples (produced by Ry Cooder)
08."Yumeji"s Theme (Harmonica Version)" - Umebayshi Shigeru
09."Skipping Stone" - Amos Lee
10."Bus Ride" – Ry Cooder
11."Harvest Moon" - Cassandra Wilson (Neil Young cover)
12."Devil’s Highway" – Hello Stranger (Ry Cooder produced; his sons’s band)
13."Parajos" – Gustavo Santaolalla
14."The Greatest" – Cat Power [10][11][12]
13."De ushuaia a la quiaca" - Gustavo Santaolalla

80s电影网（七）：

　　全名：Mathangi “Maya” Arulpragasam
　　出生时间：1975年7月18日
　　出生地点：英国伦敦
　　民族：泰米尔族
　　M.I.A. (artist)
　　Birth name Mathangi Arulpragasam
　　Born 18 July 1975 (1975-07-18) (age 33)
　　Hounslow, London, England
　　Origin Mitcham, South London, England
　　Occupation(s) Vocalist, singer-songwriter, visual artist, photographer, fashion designer, record producer
　　Instrument(s) Vocals, percussion
　　Years active 2000–present
　　Label(s) XL, Interscope, Showbiz
　　Website miauk.com
　　Mathangi "Maya" Arulpragasam (Tamil: மாதங்கி "மாயா" அருள்பிரகாசம்) (born 18 July 1975),[1] better known by her stage name M.I.A., is a British-born Tamil songwriter, record producer, singer, fashion designer, and artist.
　　An accomplished visual artist by 2002, she came to prominence in early 2004 through file-sharing of her singles "Galang" and "Sunshowers" on the Internet.[2] She released her Mercury Prize-nominated debut album Arular in 2005. Her second album, Kala, was released in 2007 and gained her mainstream chart success. Arulpragasam has been nominated for two Grammy Awards and an Academy Award.
　　Her compositions have been noted to encompass various genres, often with political lyricism and artwork. M.I.A. has described her music style as being "other."[3] In addition to her work as a graphic designer, providing artwork and photography for releases and as a director of music videos, she has also experimented with documentary film and in 2008 released a collection of her fashion designs. M.I.A. is the founder of the record label N.E.E.T.
　　Personal background
　　Mathangi "Maya" Arulpragasam was born in Hounslow, London, the daughter of Kala and Arul Pragasam.[4] Her family is of Sri Lankan Tamil descent.[5] When she was six months of age, her family moved back to their native Sri Lanka. Motivated by his wish to support the Tamil militancy on the island, her father became a political activist, adopting the name Arular, and was a founding member of The Eelam Revolutionary Organisation of Students (EROS), a political Tamil group that worked to establish an independent Tamil Eelam.[6][7][8] Her alias, M.I.A., stands for both Missing in Acton and Missing in Action.[9]
　　Because of the conflict, the first years of her life were marked by displacement. Contact with her father was strictly limited, as he was in hiding from the Sri Lanka Army.[9][10] As the civil war escalated, it became unsafe for the family to stay in Sri Lanka, so they relocated to Chennai, Tamil Nadu, India, moving into a derelict house, with sporadic visits from her father.[10][11] Later resettling in Jaffna, the conflict deteriorated further, and the family once again tried to flee the island.[10][11] She has stated that her school was destroyed in a government raid.[12][8] Eventually she, her two siblings, and mother (Kala) moved back to London where they were housed as refugees.[10] It was in the late 1980s, on a council estate in Mitcham (South London), that Arulpragasam began to learn English.[7] Arulpragasam speaks English and the Tamil language fluently. Arulpragasam has an older sister, Kali Arulpragasam, and a younger brother, Sugu.
　　Arulpragasam graduated from London"s Central Saint Martins College of Art and Design, with a degree in fine art, film, and video.[13] She currently lives in Bedford-Stuyvesant, Brooklyn, New York, in the United States and is engaged to Benjamin Brewer, singer and guitarist for the band The Exit and a member of the Bronfman family.[14][15] M.I.A. gave birth to a boy on 11 February 2009,naming him Ikhyd Edgar Arular Bronfman,[16] just days after performing at the Grammy Awards.[17]
　　Art and film
　　Arulpragasam"s Pocko Editions Art book cover. (2002)Arulpragasam"s first public exhibition of paintings in 2001 at the Euphoria Shop in Portobello, London, featured graffiti art and spray-paint canvasses mixing Tamil political street art with images of London life and consumerist culture.[18][12] The show was nominated for the Alternative Turner Prize; (Jude Law was among early buyers of her art)[19]; and a monograph book of the collection was published by Pocko,[5] simply titled M.I.A..[20][6]
　　During her time in film school, she cites "radical cinema—Harmony Korine and Dogme 95"[21] as some of her cinematic inspirations. Having written a script, Arulpragasam was approached by John Singleton to work on a film in Los Angeles.[22] Also, Arulpragasam expressed an early interest in fashion and textiles (her mother is a seamstress)[13]—designing confections of "bright fluorescent fishnet fabrics"—and was a roommate of fashion designer Luella Bartley.[23] In July 2008, she showcased some designs in a short video she made called Real Pirates of the Caribbean starring Okley Leslie, which she posted on her official website.[24][25] Clothes from her limited-edition "Okley Run" line—Mexican and Afrika jackets and leggings, Islamic hoodies, and tour-inspired designs including "People Vs. Money Tour Tees" and "KALA Tour Tees" (T-shirts)—were sold in September 2008 at fashion-week Opening Ceremony shops in Los Angeles and New York in the United States and through her web store.[26][27]
　　Music career
　　Early career
　　A commission from Elastica"s Justine Frischmann to provide the artwork and cover image for the band"s second album, The Menace, led to Arulpragasam following the band on tour in forty American states, video-documenting the event, and eventually directing the music video for Elastica"s single "Mad Dog God Dam."[12][8] The support act on the tour, electroclash artist Peaches, introduced Arulpragasam to the Roland MC-505 sequencing drum machine and encouraged her to experiment in the artform that she felt least confident in—music.[28] Working with a simple set-up (a second-hand 4-track tape machine, a 505, and a radio microphone), back in London, Arulpragasam worked up a series of six songs onto a demo tape—included were the songs "Lady Killa," "M.I.A.," and "Galang," which aroused interest.[12][29]
　　"Galang"
　　21-second sample of M.I.A."s single "Galang" from album Arular. First released in 2003, with its mix of 505 beats and claps, edgy vocals and lyrics, it marked M.I.A."s emergence in underground independent music circles worldwide.
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　　Problems listening to this file? See media help.
　　A mix of dancehall, electro, jungle, and world music, Showbiz Records pressed 500 copies of the independent vinyl single "Galang" in 2003, which became popular and made an immediate impact.[11] In 2004, file sharing and airplay on college radio of songs such as "Galang" and "Sunshowers", with the rise in popularity of them in clubs and around the Internet by word of mouth, made her a household name to international music listeners before she had graced a stage, leading commentators to herald her as one of the first successful examples of doing so—someone who could be used to study and reexamine the impact of the internet on the way that listeners listened to and were exposed to new music.[30][2] Major record labels caught onto the popularity of "Galang," and M.I.A. eventually signed to XL Recordings.[31]
　　"Galang" was re-released in 2004. The accompanying music video for the song, featuring multiple M.I.A.s amid a backdrop of her militaristic graffiti artwork animated and brought to life, was art-directed by M.I.A., depicting scenes of urban Britain and war. Her next single, "Sunshowers," released on 5 July 2004, and its B-side ("Fire Fire") described guerrilla warfare and asylum seeking, with one reviewer characterizing the former as "a portrait of religious persecution" and the latter as a "tug-of-war battle between pop culture and guerrilla culture."[10] For this track, M.I.A. filmed a video in the jungles of South India.[13] A successful mashup mixtape of Arular tracks, Piracy Funds Terrorism, was released in December 2004 via the blogosphere and her live shows.[11][32]
　　Arular (2005)
　　M.I.A. performing at Sónar in June 2005.Originally completed and ready for release in September 2004, Arular"s release was delayed over several months, with pushed back dates of release between December 2004 and February 2005 mentioned.[2] Prior to the LP"s release, Arulpragasam made her North American debut at the Drake Hotel in Toronto in February 2005, pulling in a diverse crowd. Receiving a response described as "phenomenal", attendees already knew many of her songs.[33]
　　Arulpragasam"s debut album Arular was eventually released worldwide in March 2005 to universal critical acclaim.[34][35] Composing and titling the album Arular in acknowledgment of her and her father"s past, much of its focus lay in experimentation. Consisting of bold, jarring and ambient sounds, complimentary lyrics on Arular were both observational and reflective of her experiences of identity politics, indie culture, popular culture, poverty, revolution, war and with the working class, exemplified by songs such as "Amazon", "Fire Fire" and "M.I.A.". Referencing the PLO and the Tamil independence movements, its themes, use of culture-jamming, multi-lingual slang, and its mix of strident and elusive imagery, social commentary and storytelling incited debate.[36][13]
　　Arulpragasam was first exposed to Western radio in London, hearing broadcasts emanating from her neighbours" flats in the late "80s.[7] Her liking for hip-hop and dancehall developed from there, finding a common identity with "the starkness of the sound" of Public Enemy, records by MC Shan, Ultramagnetic MCs and the "weird, distinct style" of acts such as Silver Bullet and London Posse.[37][31] Her time at college shaped her affinity for punk, the emerging sound of Britpop alt-rock and electroclash, after which she began writing songs.[28] She has spoken of the large influence musicians The Slits, Malcolm Mclaren and The Clash had on her living in West London.[38][39]
　　Making Arular in her bedroom in West London, she built tracks off her demos with programmed beats she wrote on the 505.[12][40] Her work attracted artists such as the rapper Nas, who by early 2005 stated, "Her sound is the future."[41] Following "Galang" and "Sunshowers," she later released her third single from Arular, the funk carioca-inspired co-composition "Bucky Done Gun" in July 2005. Arulpragasam performed through 2005 supporting her album at Coachella Valley Music and Arts Festival, which drew a strongly favourable response and an unusually large crowd for the billing she played,[42] the Bue Festival, a free headlining show at Central Park Summerstage and the Summer Sonic Fest as well as at other venues.[43] She also toured with Roots Manuva and LCD Soundsystem.[44][43] She appeared on the track "Bad Man" on Missy Elliott’s 2005 album The Cookbook.
　　On 19 July 2005, M.I.A. was shortlisted for the Mercury Music Prize for Arular.[45] In December, Arular was the second most featured album in music critics’ Year-End Top 10 lists for 2005,[46][34] and named best of 2005 by publications such as Blender, Stylus and Musikbyrån.[34][35][47] M.I.A. ended 2005 briefly touring with Gwen Stefani and the Big Day Out festival.
　　Kala (2007)
　　M.I.A. performing at the Prince in Melbourne in February 2006.In 2006 M.I.A. wrote and recorded her second studio album, Kala, named after her mother. Following censorship controversies and documented U.S. visa problems in 2006, Kala was worked on while M.I.A. travelled through several locations including India, Trinidad, Liberia, Jamaica, Australia, Japan, the UK and US, using more diverse live instrumentation and brash colours for heavier textures, and layering, whilst exploring traditional dance and folk styles such as soca and urumee melam (in songs such as "Boyz") and rave culture and music (in "XR2") among others.[48][49] The unconventional recording sessions brought out, as did her artwork and photography for the album, both the celebratory and the "rawer, darker, outsider" themes that were felt to have run through Kala.[50] The album also saw her re-embrace bootleg soundtracks of the film music of India from her childhood. Arulpragasam wrote songs about immigration politics, her personal relationships and war.[50] She made songs and videos such as "Hit That" and "Bird Flu" available on her internet accounts, official website and for digital download. M.I.A. featured in the song "Come Around", a bonus track on Timbaland"s 2007 album Shock Value and a track on Kala. Before her second album"s release, Arulpragasam confronted the public media about what she felt was some journalists" motives behind misinformation regarding her work.[51] Released on 11 June 2007, "Boyz’," music video was co-directed by Jay Will and M.I.A. and the album"s second single "Jimmy," followed (about a genocide tour date invite Arulpragasam received whilst in Liberia).
　　General acclaim met Kala"s release in August 2007. Arulpragasam’s 2007 tour in support of Kala, including at Rock en Seine, Get Loaded in the Park — a festival gig that drew a crowd sing-along pitch described in a review as "near hysterical," the Electric Picnic, Connect, the Virgin Festivals, the Osheaga Festival and Parklife. M.I.A. ended 2007 with a mini-tour of venues in the UK. She provides guest vocals on supporting act Buraka Som Sistema"s kuduro song "Sound of Kuduro."[52]
　　In the documentary Spike Jonze Spends Saturday with M.I.A, M.I.A. and director Spike Jonze visit Afrikan Boy in his immigrant neighborhood of Woolwich, South London. In the documentary, M.I.A spoke of the possibility of launching her own record label entitled Zig-Zag, with Afrikan Boy’s track "Lidl" being the first release.[53]
　　In December 2007, Kala was named the best album of 2007 by publications including Rolling Stone and Blender.[54] M.I.A. released Paper Planes - Homeland Security Remixes EP digitally on 11 February 2008. In early 2008, M.I.A. DJed at the Marc Jacobs fashion show after party, and modelled for "Marc by Marc Jacobs" in Spring/Summer 2008.
　　M.I.A. is referenced in a song of the same name by anti-folk artist Emmy the Great.[55]
　　In 2008
　　M.I.A. toured during the first half of 2008, with opening tourmates including Holy Fuck, before stating she would end touring in support of Kala, cancelling her European tour dates through June and July, opting to work on her next album. Stating "This is my last show, and I"m glad I"m spending it with all my hippies," M.I.A performed a set at the Bonnaroo Music Festival.[56]
　　In 2008, M.I.A. started her music label, N.E.E.T. signing Rye Rye.[57] She is currently working on Rye Rye"s and her own new album, using instruments such as the Korg Kaossilator.[38] During her tour she said "I went to Mexico to the pyramids... I sat on top of the pyramid making a beat and it just sounded so huge, like the biggest reverby beat."[38] M.I.A. has discussed possible themes on her next record and tour mate Egyptian Lover has said that he will be collaborating with M.I.A. on her third album.[58][59]
　　In a September 2008 interview M.I.A. stated "All my teenage-angst kind of songs go to [Rye Rye]." On her next album, she stated "I"d love to write songs like The Last Shadow Puppets or something, or like old Blur songs" and revealed that she is currently working on a "really pretty song" with the working title "Live In Love In Pain."[60]
　　M.I.A. recorded a cover of Tom Waits" "Way Down in the Hole" with Blaqstarr, (The Wire"s main theme).[61][62][63] The How Many Votes Fix Mix EP featuring a remix of "Boyz" with Jay-Z was released.
　　M.I.A. contributed songs for A. R. Rahman"s score of Slumdog Millionaire, which included the collaboration "O... Saya", releasing the soundtrack in late 2008 via N.E.E.T. In 2009, "O... Saya" was nominated for an Academy Award for Best Original Song.[64]
　　Discography
　　Main article: M.I.A. discography
　　Arular (2005)
　　Kala (2007)
　　Tours
　　Arular Tour (2005)
　　KALA Tour (2007)
　　People vs. Money Tour (2008)
　　Awards
　　Some awards and nominations M.I.A. has received are listed below.
　　Academy Award[64]
　　2009 Nominated – Best Original Song – "O... Saya"
　　Grammy Awards[81]
　　2009 Nominated – Record of the Year – "Paper Planes"
　　2009 Nominated – Best Rap Song – "Swagga Like Us"
　　Alternative Turner Prize
　　2002 Shortlisted – M.I.A. – Maya Arulpragasam
　　BRIT Awards[82]
　　2009 British Female Solo Artist
　　Mercury Music Prize
　　2005 Shortlisted – Album of the Year – Arular
　　Groovevolt Music & Fashion Awards
　　2005 Won – Best Alternative Album – Arular[83]
　　South Bank Show Awards
　　2005 Nominated – Breakthrough Award – M.I.A.
　　Shortlist Music Prize
　　2005 Shortlisted – Album of the Year – Arular
　　2007 Shortlisted – Album of the Year – Kala
　　Q Awards
　　2005 Nominated – Best New Act – M.I.A.
　　Independent Music Awards (Canada)
　　2008 Nominated – International Album of the Year – Kala
　　2008 Nominated – International Artist/Group/Duo of the Year – M.I.A.
　　Spin and URB magazines" "Artist of the Year" in 2005.
　　Rolling Stone and Blender"s "Album of the Year" 2007 – Kala
　　USA Today"s "100 Most Interesting People of 2007".
　　Village Voice"s 2008 Pazz+Jop Poll: Singles Winner【80s电影网】

80s电影网（八）：

My Youthfulness(simplified Chinese:我的青春谁做主; traditional Chinese:我的青春谁做主)is a highly popular idol drama which was in 2009 Chinese TV series.The series is directed by Zhao Baogang (赵宝刚),this 32-episode play has drawn unexpectedly big audience ratings.From its pilot episode,the show attracted a large number of viewers due to the popularity of its cast and their affiliates.
In regards to this series.The producer Zhao BaoGang commented that:“Youth is a very transient dream,when we wake up it"s gone along with all the memories of it.Youth is not a station on a one-way train line.[2] .Throughout our life,we"ll always reflect on what it has given us and what is has taught us.But who really makes the decisions for one"s youth?I made this film for the many ambitious teenagers out there along with their worried and over-protective parents.”
My Youthfulness in order to show a reality life of China"s Post-80"s generation ,all kinds of conveniences that they tend to refrain from pursuing all the classics cherished by their forefathers.As the only-child in the family,they have been well-fed and over-protected.But they refuse to give up and surrender for the easy way out,the China"s Post-80"s generation take more advantages over any other previous generation.Compared with their fathers" generation,they are more well-bred,better educated and well-informed.Post-80s generation has already gone through pain and hardship,and are no longer delicate flowers needing tending in the green house.

80s电影网（九）：

Among the inalienable rights promised in the preamble of the Declaration of Independence,happiness is the only one not guaranteed.We are theoretically assured of life and liberty,but happiness we are left to pursue on our own."The Pursuit of Happyness," a routine domestic drama starring Will Smith,is the story of one man"s unwavering pursuit for a better life (and presumably happiness with an "i") against long odds.
The movie is "inspired by a true story," that of Chris Gardner,who was among San Francisco"s working homeless in the early "80s and managed to pull himself and his young son up by the bootstraps."Inspired by" is an interesting phrase because the movie is more inspiring than inspired.The man"s struggles are emotionally engaging,but dramatically it lacks the layering of a "Kramer vs.Kramer," which it superficially resembles.
This is a much lower-key performance than we"re used to seeing from Smith,and he pulls it off admirably.He plays the fictionalized Gardner as an intelligent,energetic guy who can"t catch a break.In fact,in the sluggish Bay Area economy of 1981,he"s losing ground.He"s invested his family"s money in a load of cutting-edge bone-density scanners that,unfortunately for him,provide a slightly better image than an X-ray at twice the cost.
Though the subject matter is serious,the film itself is rather slight,and it relies on the actor to give it any energy.Even in a more modest register,Smith is a very appealing leading man,and he makes Gardner"s plight compelling.
Running from doctor"s office to hospital peddling his scanners,we see Chris" plentiful people skills at work.Still,there"s not enough money coming in,and his wife,Linda (Thandie Newton),who"s been working double shifts in a laundry,leaves him to care alone for their 5-year-old son,Christopher (played by Smith and Jada Pinkett Smith"s son,7-year-old Jaden Christopher Syre Smith).
With his finances at less than zero,Chris embarks on an unpaid six-month internship at the end of which one of 20 hopefuls will land a job as a stockbroker.Staying one step ahead of the taxman and moving from apartment to motel to shelter to subway station,Chris is a model of persistence as he clings to his dream.
The most effective aspect of the film is the relationship between father and son.It"s a love story in the purest sense as Chris tries to shield Christopher from the hardships they face,and it"s instances like this that makes you think nepotism can be a good thing.
The younger Smith,who reportedly auditioned for the part,is precocious but not annoyingly so.He"s inherited his parents" good looks and has impeccable comic timing,enlivening the gloomier stretches of the story.
Steve Conrad wrote the screenplay after executive producer Mark Clayman saw a "20/20" story on the real-life Gardner,and he litters the movie Gardner"s path with nonstop obstacles,many of which are so improbable they must be true.Italian director Gabriele Muccino (whose film "The Last Kiss" was recently remade with Zach Braff) keeps a low profile,allowing the Smiths to carry the day.
"The Pursuit of Happyness" is an unexceptional film with exceptional performances and,if you"re curious,takes its title"s quirky spelling from a mural outside Christopher"s Chinatown day-care center.There are worse ways to spend the holidays,and,at the least,it will likely make you appreciate your own circumstances

80s电影网（十）：

家长口中的干大事是指,做有成就的事.我道不觉的上网和看电影不好,至少你现在知道不懂得问题找谁请教,电影建议你看些励志和感恩的,我想家长会支持你的. 养成和家长沟通交流的习惯,家长才会理解你.

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