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爵士舞音乐(共10篇)
爵士舞音乐（一）
有首爵士舞音乐里面有好缠绵的声音“it is too late .,..lt ls too late.."是哪首?你说的应该是“apologize”歌手：timbaland 专辑：shock value I"m holding on your rope,Got me ten feet off the ground I"m hearin what you say but I just can"t make a sound You tell me that you need me Th...
爵士舞音乐（二）
节奏感特别强的音乐。（爵士舞练习律动时用）Dev - In My Trunk
Not Myself Tonight.
Barb Wire
U Make Me Wanna.
Lights Out
I like that
以上这些都是我们爵士舞课的音乐，你可以听听试试哦~~~
爵士舞音乐（三）
请问下美国爵士音乐的代表人物是谁路易斯·阿姆斯特朗
1901年8月4日,路易斯·阿姆斯特朗出生在美国南部路易斯安那州新奥尔良市最贫穷落后的黑人居住区.生活在贫民窟中的阿姆斯特朗从小就喜欢唱歌,但是贫穷使他没有学习正规的声乐,人们也不会认为一位黑人会成为伟大的歌唱家.他有时参加少年合唱队在街头演唱,挣些零花钱,有时会在教堂唱诗班中一展歌喉.对于出身贫寒的阿姆斯特朗来说,唱歌是他童年最快乐的一件事情.
一年除夕之夜,阿姆斯特朗从小伙伴那里搞到一把手枪,那不是玩具,而是一把真枪.好奇的阿姆斯特朗感到前所未有的兴奋,他朝天鸣枪,希望以此送走过去一年的不幸,迎接新的一年的到来.然而,在寂静的夜空中,枪声显得格外的响亮,不但吓坏了周围的小伙伴,而且惊动了警察.警察不认为这很有趣,不认为这只是少年的玩笑而已.他们注意到了阿姆斯特朗的肤色,于是认定这是对于社会治安的威胁和破坏.他们不由分说逮捕了阿姆斯特朗,并以“非法持有枪支”的罪名,将他送进了感化院.
这一年,路易斯·阿姆斯特朗只有十岁.这次经历是他人生的转折点.在感化院里,一名小号演奏家Peter Davis成了阿姆斯特朗的小号启蒙老师.阿姆斯特朗在感化院呆到18岁,在那里度过了其演奏生涯的最初岁月.
离开感化院后,阿姆斯特朗加入了一支乐队,该乐队中拥有当时著名的小号演奏家Joe Oliver.Oliver从一开始就对阿姆斯特朗的才华十分看中,并带阿姆斯特朗加入他在芝加哥的乐队.最让阿姆斯特朗兴奋的事情是进录音棚,而录音师不得不将他的位置放在其它乐手的后面20米处,因为他的音色实在太有力量了,即便Oliver也无法盖住他的声音.
1925年,阿姆斯特朗在芝加哥已被认为是世界上最伟大的小号演奏家之一.25岁时已经被认为是爵士乐的标志.1931年,他带领他的乐团远赴英国和欧洲,在那里他们的演出取得了巨大的成功.阿姆斯特朗成为世界公认的爵士乐演奏家,他在1923年——1967年录制的曲目,年代涵盖相当广泛,被世人称为“爵士圣经”.
阿姆斯特朗作为一名出色的即兴演奏家,他最大的特点是将节奏的感觉与旋律感相结合,他的演奏融合了高超的技艺,良好的节奏感,精湛的即兴演奏,迷人的音色和大跨度的音域,在本世纪20年代,没有多少人可以在小号上吹奏高音区的C.而阿姆斯特朗经常在演出中轻易的演奏出高音C,并且有时他的演奏中会出现高音F,这在当时是足以使他笑傲乐坛的.
阿姆斯特朗同时也是爵士史上伟大的歌唱家之一.他十分重视与观众的交流,并且力图要能够使听众愉快,这使他成为了一名具有喜剧色彩的表演大师.阿姆斯特朗认为,即使一个人将音乐视作生命,这也并不意味着他不应该为大众表演和不被大众所欣赏.
阿姆斯特朗于1971年7月6日辞世.他为人们留下了丰富的爵士乐遗产,是爵士乐史上永恒的灵魂人物.
爵士舞音乐（四）
you"d better not_____(触摸)those things if you are not going to buy them.1.Where have you beem?I haven"t seen you_____（最近）
2.Do you like_______(爵士音乐）or pop music?
3.My friend Mike can play several different____(乐器）
4.There is a big___（音乐的）theatre in that area.
5.Two of the_____(弦）of the clavichord were broken.
6.These old windows were_____（损坏）by the heavy rain.
7.We are____(震惊）at what he said just now.
8.My mother doesn"t____(允许）me to go out at midnight.
touch 触摸
o(∩_∩)o
爵士舞音乐（五）
我要浪漫主义音乐英文版介绍只要英文!好吧没人鸟我.古典主义音乐、浪漫主义音乐、巴洛克音乐、乡村音乐、爵士音乐、摇滚音乐、重金属音乐的介绍都可以,但要只英文版的这条要求不变.
好吧,在这里我只能给你古典音乐,摇滚音乐的还有爵士的介绍了,希望你采纳啊!很辛苦得我~~~
1.摇滚乐
Rock music began in the United States in 1950’s, but it has influenced and in turn been shaped by a broad field of cultures and musical traditions, including gospel music, the blues, country-and-western music, classical music, folk music, electronic music, and the popular music of Asia, Africa, and Latin America. In addition to its use as a broad designation, the term rock music commonly refers to music styles after 1959 predominantly influenced by white musicians.
There is basic agreement that rock is a form of music with a strong beat, but it is difficult to be much more explicit. The Collins Cobuild English Dictionary, based on a vast database of British usage, suggests that rock is a kind of music with simple tunes and a very strong beat that is played and sung, usually loudly, by a small group of people with electric guitars and drums, but there are so many exceptions to this description that it is practically useless.
Other major rock-music styles include rock and roll, the first genre of the music; and rhythm-and-blues music (R&B), influenced mainly by black American musicians. Each of these major genres encompasses a variety of substyles, such as heavy metal, punk, alternative, and grunge. While innovations in rock music have often occurred in regional centers such as New York City; Kingston, Jamaica; and Liverpool, England, the influence of rock music is now felt worldwide.
2.古典乐
Classical music is probably more familiar than we might at first imagine. Indeed, nowadays it is all around us, whether it be in restaurants, supermarkets, lifts, for advertising or as theme and incidental music on television. A great deal of film music either directly uses or draws from the "classical" tradition; a good example of the former might be "2001: Space Odyssey", and of the latter, the many scores John Williams has composed in recent years for such blockbusters as the Star Wars and Indiana Jones trilogies.
In the vast and wide-ranging world of "classical" music there is truly something there for everyone - pieces which once discovered represent the start of an exciting and irresistible journey which will provide a lifetime"s listening pleasure. For example, those who are particularly excited by hearing instrumentalists working at full stretch will thrill to the likes of Liszt and Paganini, or if something a little more reserved and self-contained is required, the chamber music of Haydn or Mozart would be a good starting point. If a full symphony orchestra in overdrive is more to your taste then Tchaikovsky or Richard Strauss could well fit the bill, whereas those who have already warmed to Vivaldi"s "Four Seasons" might well try the music of some of the great Italian"s contemporaries such as Handel, Johann Sebastian Bach or Domenico Scarlatti. Whatever your tastes may be, there has never been a better time to start building a "classical" music collection on CD.
Any attempt to define what is meant literally by the term "classical" music is fraught with difficulty. How does one encapsulate in just a few words a musical tradition which encompasses such infinite varieties of style and expression, from the monastic intonings of Gregorian chant to the laid-back jazz inflections of Gershwin"s Rhapsody in Blue, from the elegant poise of Mozart"s Eine kleine Nachtmusik to the despairing, heightened emotionalism of Tchaikovsky"s "Pathetique" Symphony? One is treading on very dangerous ground indeed if one pre-supposes that it is simply "superior" to other musical types such as popular, jazz, rock and the like, let alone the music of other cultures.
In general "popular" music may be as clear in expression as the longer examples of "classical" music. One important difference, however, lies in the logical connection that exists in "classical " music between the beginning and end, with the latter a logical extension and development of the former. "Popular" music, on the other hand, tends to present its material without development, the music ending when interest is exhausted.
Sadly, whilst "classical" music is socially undivisive in itself, it has unfortunately become associated in most people"s minds with the intellectual elite. Even now, and with certain honourable exceptions, the attending of a "live" concert can be an intimidating (not to say costly) experience for the uninitiated, especially in that most jealously guarded of establishments, the opera house. The wonderful thing about the technological age in which we live, and particularly the advent of the compact disc, is that we can bypass all irrelevant social and intellectual pretence, and enjoy in the comfort of our own home (often at far less cost) some of the finest music ever composed.
With such a breathtaking variety of material available, it is an awesome task to know just where to begin your disc collection, and as a result expensive mistakes are often made as tempting looking purchases turn out to be something of a disappointment. This is where the Naxos catalogue really comes into its own, and where it is hoped this guide will help prospective purchasers to make an informed choice about the kind of music they are likely to enjoy.
The Naxos label provides a library of high quality performances of music by the great masters in modern digital sound; accompanied by authoritative and user-friendly booklet notes and at the lowest possible price. There are already nearly 600 titles from which to choose, and with new releases emerging at the rate of about eight every month, even the enthusiastic collector is well and truly catered for. With every historical period and genre covered, there is something in the Naxos catalogue for everyone, especially those who wish to build a truly representative collection of the central masterworks in the "classical" tradition.
3.爵士
Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world.
The Birth of Jazz:
New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures. A major port city, people from all over the world came together there, and as a result, musicians were exposed to a variety of music. European classical music, American blues, and South American songs and rhythms came together to form what became known as jazz. The origin of the word jazz is widely disputed, although it is thought to have originally been a sexual term.
Louis Armstrong:
One thing that makes jazz music so unique is that it’s focus on improvisation. Louis Armstrong, a trumpet player from New Orleans, is considered the father of modern jazz improvisation. His trumpet solos were melodic and playful, and filled with energy that could only result from being composed on the spot. A leader of several groups in the 1920s and 30s, Armstrong inspired countless others to make the music their own by developing a personal style of improvisation.
Expansion:
Thanks to early records, the music of Armstrong and others in New Orleans could reach a broad radio audience. The music’s popularity began to increase as did its sophistication, and major cultural centers around the country began to feature jazz bands. Chicago, Kansas City, and New York had the most thriving music scenes in the 1940s, where dance halls were filled with fans that came to see large jazz ensembles. This period is known as the Swing Era, referring to the lilting “swing” rhythms employed by the Big Bands.
Bebop:
Big Bands gave musicians the opportunity to experiment with different approaches to improvisation. While members of a Big Band, saxophonist Charlie Parker and trumpeter Dizzy Gillespie began to develop a highly virtuosic and harmonically advanced style known as "Bebop," an onomatopoeic reference to the rhythmic punches heard in the music. Parker and Gillespie performed their music in small ensembles all over the country, and musicians flocked to hear the new direction jazz was taking. The intellectual approach and technical facility of these pioneers of Bebop has set the standard for today’s jazz musicians.
Jazz Today:
Jazz is a highly developed art form that continues to evolve and expand in numerous directions. The music of each decade sounds fresh and distinct from the music that preceded it. Since the days of bebop, the jazz scene has included avant-garde music, Latin jazz, jazz/rock fusion, and countless other styles. Jazz today is so diverse and broad that there is something unique and interesting about every artist’s style.【爵士舞音乐】
爵士舞音乐（六）
I was very disapponinted not to be able go to the jazz concert last Firday怎么翻译
上个礼拜五我没能去听爵士音乐会真是失望透顶
爵士舞音乐（七）
谁能帮我翻译下这段话~~中文尽量多一些~~~请不要直接用翻译工具呀~~在此谢过了~~~As the 1920s wore on, jazz, despite competition with classical music, rose in popularity and helped to generate a cultural shift. Dances like the Charleston, developed by African Americans, suddenly became popular among younger demographics . With the beginning of large-scale radio broadcasts in 1922,Americans were able to experience different styles of music without physically visiting a jazz club. The radio provided Americans with a trendy new avenue for exploring the world through broadcasts and concerts from the comfort of their living room. The most popular type of radio show was a "potter palm": amateur concerts and big-band jazz performances broadcasted from cities like New York and Chicago . Jazz artists like Louis Armstrong originally received very little airtime because most stations preferred to play the music of white American jazz singers. Big-band jazz, like that of James Reese Europe and Fletcher Henderson in New York, was also popular on the radio . This style represented African Americans in the cultural scene predominately controlled by white Americans.
不是吧，是外文原材料，维基百科里摘下来滴。。。我还没考G，不知道在G中出现过没有。。。
GRE的阅读比这难多了 这连G的填空题都比不上
二楼你翻译机翻的不错 就是大多数人脑读不懂
1920年开始,尽管存在与古典音乐的竞争,爵士音乐开始流行并造成了文化上的转向.受训于美国黑人的舞蹈家像 Charleston,突然在年轻人中间流行起来.随着1922年大范围电台广播的普及,美国人可以不去爵士俱乐部就接触到不同风格的音乐.电台提供了美国人一个探索世界的新途径,他们舒服的在家里就可以听到广播和音乐会.最流行的电台节目种类是potter palm,一种播放由来自纽约和芝加哥的非职业乐团和大型爵士乐队表演的节目.爵士乐音乐家像Louis Armstrong最初只能得到很少的直播时间,因为大多数电台喜欢播放白人爵士歌手的音乐.大型爵士乐队像纽约的James Reese Europe和Fletcher Henderson 也在广播中非常流行.这种风格代表的是在文化领域中的非洲裔美国人,虽然这一领域是由白人占据主导地位.
爵士舞音乐（八）
谁能帮我翻译一下这个英文单词(prestige)prestige 一唱片公司 1949年由鲍勃·韦恩斯托克（BOB WEINSTOCK）创立于纽约,从公司成立一直到1971年被FANTASY收购为止,22年的时间里,PRESTIGE积累了数量极为惊人的爵士乐录音,堪称是爵士音乐史上的经典瑰宝.它的录音涵盖了主流爵士、清凉爵士和硬波普爵士三大乐派,完整记录了50年代到70年代爵士乐如狂飙突进般的发展过程,当时像迈尔斯·戴维斯、约翰·柯川、塞洛尼斯·孟克、桑尼·罗林斯这样活跃在爵士乐坛的重要人物都在PRESTIGE留下了许多宝贵的经典录音.PRESTIGE”在英汉词典中的解释(来源:百度词典)：prestige KK:[] DJ:[] n.1.名望,声望,威望[U]
爵士舞音乐（九）
爵士乐的风格特点是什么什么爵士乐?不同的作者们都曾经式图回答这个问题,但他们对“什么是爵士乐”和“什么不是爵士乐”做了太多的限定,所以都不免面显得短视.在很长一段时间里,爵士乐受到诸如古典乐’进行曲‘福音歌曲’劳动号子,拉格泰姆音乐（Ragtime）‘布鲁斯以及流行音乐的影响.最基本的,爵士乐是一种非常强调即兴演奏并具有布鲁斯感觉的音乐.其他的一些特征,比如摇摆的节奏,乐手出众的音乐素养,或演奏是否和调都不是最重要的因素.无论是蒂克西兰（DIXELAND）‘波普乐（BEBOP）’融合爵士乐（FUSION）还有自由爵士,它们的共同点都是,能够为乐手提供续不断的即兴发挥其创造里力与新想发的机会,这是与流行乐最大的区别,后者总是希望在现场为观众复制他们在录音棚里的音乐.而布鲁斯虽然同样有不少即兴成分,但与爵士乐是不同的.爵士乐既可以是一个能量巨大的大乐队,或着是一个独奏萨克斯手吹奏长长的曲调,可以是一个歌手诠译一首歌谣,也可以是一个摇滚乐风格的吉他手随意性的演奏,或是一个融合爵士管风琴乐队.它可以从其他音乐行驶中借用想法,但是直到乐手一直演奏到他们能充分表达自己而且能够自由第将音乐带入一个新的方向时,这才能称为爵士乐.
爵士乐起源没有一个清楚的时间可以考证,不过一般认为,爵士乐是从新奥尔良的铜管乐队产生的.在19世纪八九十年代,爵士乐史上的第一个伟大的人物――小号手巴迪.博尔登,在1895年组建了他的第一支乐队,所以一般把那一年作为爵士乐的诞生日的时间.
爵士乐有几个乐派
新奥尔良爵士（NewOrleans）拉格泰姆（Ragtime）摇摆爵士（Swing）波普爵士（Bebop）冷爵士（Cool）硬波普爵士（HardBop）调式爵士（ModalJazz）自由爵士（FreeJazz）前卫爵士（Avant-garde）波萨诺瓦（BoossaNova）拉丁爵士（Latin）融合爵士（Fusion）酸爵士（AcidJazz）我就知道这些还有一些不知道.
对爵士乐最有影响力人物是小号手路易斯-阿姆斯特朗（LouisArmstrong）萨克斯手查理-柏克（CharliePark）这是我最喜欢的两位乐手.还有很多很棒的乐手.就意义说明啦.
爵士舞音乐（十）
英语翻译（1）George Gershwin,born in 1998,was one of America’s greatest composers.He published his first song when the was eighteen years old.During the next twenty years he wrote more than five hundred songs.
（2）Many of Gershwin’s songs were first written for musical plays performed in theatres inNew York City.These palys were a popular form of entertainment in the 1920s and 1930s.Many of his songs have remained popular as ever.Over the years they have been sung and played in every possible way — from jazz to country.
（3）In the 1920s there was a debate in theUnited Statesabout jazz music.Could jazz,some people asked,be considered serious music?In 1924 jazz musician and orchestra leader Paul Whiteman decided to organize a special concert to show that jazz was serious music.Gershwin agreed to compose something for the concert before he realized he had just a few weeks to do it.And in that short time,he composed a piece for piano and orchestra which he called Rhapsody in Blue.Gershwin himself played the piano at the concert.The audience were thrilled when they heard his music.It made him world-famous and showed that jazz music could be both serious and popular.
请标准翻译第（3）段（不要机器翻译的）,
在1920年代,在美国发生了一次有关爵士乐的辩论,一些人问：爵士乐可以被认为是严肃音乐吗?1924年,爵士乐音乐家和乐团领导人保罗 怀特曼决定组织一个特别音乐会以展示爵士乐是严肃音乐.格什温同意为这个音乐会做些曲子,然后意识到他只有几周的时间来完成.在这短短的时间里,他为钢琴和乐队谱写了一首曲子,曲名为《蓝色狂想曲》.格什温亲自在音乐会上演奏了钢琴,听众们（观众们）在听到这首曲子时都极为兴奋/激动,这支曲子使他知名于全世界,同时也说明爵士乐可以既是严肃音乐,也是流行音乐.
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